Robert Glasper Quintet at Joe’s Pub
Canvas, Robert Glasper’s recent recording for Blue Note, is a compelling but straightforward jazz album. What Glasper laid down at Joe’s was a glimpse of the music’s future.
Canvas, Robert Glasper’s recent recording for Blue Note, is a compelling but straightforward jazz album. What Glasper laid down at Joe’s was a glimpse of the music’s future.
Dave Douglas and his electrified Keystone band merged past and future on the last stop of their brief American tour, playing new scores for the silent films of Roscoe “Fatty” Arbuckle.
SFJAZZ, the presenting organization behind the San Francisco Jazz Festival, likes to think big. And perhaps no project exemplifies that thinking better than the SFJAZZ Collective.
It was officially “Roy Haynes Day” in his native Boston, but the master drummer himself was in San Francisco, celebrating his 80th birthday on the stage with an all-star band.
“Another world is possible.” When those four words bubbled to the surface of Omar Sosa’s modern jazz stew at Yoshi’s, they summed up a musician who has spent years opening new vistas in Latin jazz.
The joint appearance of organists Jimmy Smith and Joey DeFrancesco was supposed to be the first stop on a triumphal tour. But just one week before the gig, Smith passed away at the age of 76. The show goes on.
Is there any living jazz artist so utterly, comprehensively American as Mose Allison? His melting-pot piano style, his carefree singing, his sly cynicism — these are all reflections of the national character.
Updates and observations from the 2005 International Association for Jazz Education conference in Long Beach, CA.