Fly at Yoshi’s
In the first set of their one-night gig at Yoshi’s Oakland, Fly negotiated seven musical obstacle courses with the precision of a commando team and the agility of an Olympic gymnast.
In the first set of their one-night gig at Yoshi’s Oakland, Fly negotiated seven musical obstacle courses with the precision of a commando team and the agility of an Olympic gymnast.
This was one of those nights when nothing went as intended but it all worked out in the end, as I stumbled onto a double bill by two up-and-coming artists.
This expanded version of the bassist’s working band is slightly less consolidated than his smaller groups, but adds new layers of complexity and a driving attack.
It was standing room only as guitarist Bill Frisell, bassist Ron Carter and drummer Paul Motian began the third night of their weeklong stint, a true meeting of the masters.
Matching a transcendent environment with transcendent music, the iconic free-jazz pianist delivered a solo performance that defied easy categorization.
Esperanza Spalding is a true original. And at 24 she already has the performing mastery — and star power — of a veteran.
With Chicago guitarist Jeff Parker on one side and bassist John Shifflett on the other, the exuberant drummer balanced broad, fluid strokes with laserlike precision.
The Dave Holland Sextet kicked off a five-night engagement at Yoshi’s with style and power, in an exhilarating set derived largely from their new CD, Pass It On.
When David “Fathead” Newman picks up his weathered tenor saxophone and begins to blow, his sound embodies a depth of feeling that suffuses the atmosphere of the room.